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A Year With Rilke: May

Writer's picture: sharonkingstonsharonkingston


The Words: I love the dark hours of my being. My mind deepens into them...Then the knowing comes: I can open to another life that’s wide and timeless...Those who stand can feel how gravity plunges through them, like a drink through thirst. Yet from the sleeper, gravity drifts like rain from unhurried clouds. (A Year With Rilke, translated by Joanna Macy and Anita Barrows, May selections)

The Color: Caput mortuum, Latin for “dead head,” is a dark brown paint. It is earthy and intense, and like many browns, it can run in opposite chromatic directions when diluted. Some versions of caput mortuum paint tend toward the yellow end of the spectrum, while others wash into a light, yet slightly murky lavender. For alchemists, the phrase “caput mortuum” referred to the leftover residue at the bottom of a heating flask after the “nobler” elements of a solution had sublimated. Caput mortuum was a metaphor for “how the soul was thought to ascent into the aether after death, leaving the body’s material remains behind,” (Cultural histories of unusual hues, The Awl, Katy Kelleher) A Year With Rilke: May to drift like rain from unhurried clouds 72" x 72" oil on canvas




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    studio/gallery

    open  Thurs - Sat 4 - 7 pm
    and by appointment

    please call / text

    360-739-2474 or

    email sharonkingston@me.com

    ALL SALES FINAL.

    NO REFUNDS or EXCHANGES ON ORIGINAL PAINTINGS  and FRAMES.

      SHARON KINGSTON STUDIO

      203 PROSPECT ST

      Bellingham WA  98225

      my studio gallery is now  OPEN
      Thurs - Sat 4 to 7 pm
      First Fridays 4 - 9 pm
      and by appointment

      please send me a text with the
      day and time you'd like to come by.
      360-739-2474

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      Sharon Kingston is a Bellingham WA (Washington) based artist.  As an oil painter she uses the properties of her medium to create paintings that respond to both the atmosphere of her surroundings and poetry. This method of looking inward and outward and, in the moments of painting, finding her way on the canvas is her approach to creating paintings infused with poetry and the memory of landscape. The atmospheric element of her work is a testament to her desire to create spaces that are undefined, contemplative and allow room to reflect and accept uncertainty. Poetry, by nature open ended, is used both in the conceptualization of the work and as a part of the studio practice. The words of Rainer Rilke have informed Sharon’s work for many years, but she also turns to contemporary poetry when it resonates with her life. She uses layers of transparent color, reveals forms by concealing and unearthing pentimenti and suggests elements of landscape in her process.

      People describe her paintings as ethereal, atmospheric, contemplative, PNW inspired, and filled with light and mood.  She has a storefront art studio in downtown Bellingham and welcomes you view her paintings in person.

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